Tempo, virtuosity and elemental force: qualities that made the Czech pianist Petra Matějová fall head over heels for Voříšek’s music. Why don’t we give ourselves a chance to share her passion? Let’s pull together and help her publish her fourth solo CD!
Author: Petra Matějová
All or nothing. Project finished on Nov 30, 2017 at 16:27.
To publish what I think is the best of the piano music by Schubert’s contemporary Jan Václav Hugo Voříšek. To me, playing early music means breathing life into the score. Going beyond a perfect execution of notes. Discovering what period musicians were feeling, thinking, living. Having spent ten years of my life with Voříšek and his music, I firmly believe that the outcome will equally please enthusiasts and professional music lovers.
I’m a pianist, lucky enough to have played many instruments from different periods. This led me to understanding why composers wrote their music the way they did. After graduating from the Academy of Performing Arts in Prague I went on to study at the Paris Conservatoire where I fell head over heels for period instruments. I’ve been intrigued ever since by how music could have sounded two hundred years ago and how the instruments were played. My fourth solo CD features a replica of an 1819 Conrad Graf viennese fortepiano.
My journey started way back, during my studies in Paris when I realised that Czech music must be the cornerstone of my repertory. I had already played Janáček, Martinů, Smetana and Dvořák but planning my first CD, I decided to venture into the Classical era. Voříšek‘s Sonata turned out a lucky choice. Later I chose his music for my PhD thesis and systematically recorded everything Voříšek wrote for the piano.
There’s a long way for music to go from the recording studio to the listener. My project is nearly there but needs your help, in all shapes and sizes. Why don’t we join and cross the finish line together?
Petra Matějová is an expert in the field of historically informed interpretation of the music of the Late Classical and Early Romantic periods. She has recorded complete piano works by Jan Václav Hugo Voříšek for the Czech Radio, on replicas of 1805 Anton Walter and 1819 Conrad Graf pianos. Voříšek’s work and its interpretation using a historical instrument eventually became the topic of her PhD thesis defended at Sorbonne Unversity in Paris in 2014. Her new album aims to present a part of the recorded material: Twelve Rhapsodies op. 1 and Fantasia op. 12. Petra Matějová’s recording is pioneering: not only does it respect the period interpretation style but also tempo markings indicated in the composer’s own hand – a detail that significantly changed the notion of what virtuosity was ahead of Chopin and Liszt. Voříšek’s compositional legacy has been unfairly ignored. Why don’t we pull together and change that?
Dear Voříšek supporters! A week ago, our growdfunding project supporting the edition of a new CD with the fortepiano music by J. V. H. Voříšek was successfully completed. Thanks to all of you, hundered and four contributors, not only we gathered our target sum, but it was exceeded by 6%. So the…
MoreMANY THANKS to all of our supporters! Thanks to you, the fourth solo CD of Petra Matějová becomes a reality now! The soap nuts have arrived, nuts and fruits for the snacks are ready, the CD booklet is nearly on its way to the printer. You can be looking forward to your rewards arriving as soon as…
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